Your flashlight is your best weapon against them: shine it on them long enough and they’ll flip over, exposing their vulnerable bellies. Fighting mutated spiders makes you reverse your strategy and actually increase the lighting present, as the scampering creatures are afraid of light. Humans aren’t the only enemies you’ll encounter. Last Light’s stealth mechanics are consistent, meaning I rarely wondered whether a guard would see me or not, and if he did, I knew I could hide without some omnipotent AI guiding the guards to me. You can even shoot light bulbs with your weapons and blow out lanterns to make each new area your playground. Stay in the shadows, and you probably won’t be spotted waltz through the center of a bright room, and you probably will. Much of combat is about manipulating the lighting in Last Light’s environments. This pacifism saved me precious ammo and supplies, but also let me take advantage of Last Light’s stealth system.įor situations devoid of flying bullets and constant explosions, crawling through darkened corridors and quiet rooms is intense. Not counting the situations where I was forced to kill, I opted to sneak around my human enemies every chance I could. I actually had a choice this time around. The broken stealth mechanics almost demanded that every situation be turned into a guns-blazing approach. Enemy movements were choppy, their sightlines were inconsistent, and they always seemed to know where you were once they found you, regardless of where you hid. While Metro 2033 had a similarly engrossing atmosphere, its gameplay mechanics held it back. The survival aspects of Last Light lend urgency to its slower moments, helped all the more by its believable world of swamps, tunnels and ravines. Radiation forces you to wear a gas mask to avoid suffocation, and limited oxygen tanks give you one more thing to search for.
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The nuclear war that spawned the Metro series left little ammunition strewn throughout human outposts, meaning you’ll have to scrounge for every last bullet below, and above, Russia’s surface. It’s hard to label it merely as a shooter, though. These scenarios make up a fraction of Last Light’s 12-hour duration –– it’s a long campaign by today’s standards, but the near-excellent pacing proves shooters can still aim for this length. Before the credits rolled, I guided a car along a railroad lined with enemy soldiers, tiptoed through an abandoned city rife with booby traps, and fought off a giant mutated bear. You’re channeled between set piece moments that provide variety along with spectacle. Each location is memorable in its own way, and I found myself pulled off the beaten path more than once on the way to each new objective. I felt compelled to eavesdrop on any conversation I could, if not to learn more about the world then just to overhear Last Light’s genuine dialogue. The human stations scattered throughout the tunnels seem lived-in, the characters all seem real. By the end, you’ll discover ulterior motives and villainous plans that help the plot be about more than just survival.Īll of this is contained within a living, breathing, believable world.
Neither seem forced, and actually elevate the story to a better place as Last Light progresses. There’s a hefty dose of social commentary on racism and politics, all with supernatural undercurrents. Last Light’s story explores several human factions’ struggles for dominance over the others following the bombing. This left a wasteland where the Dark Ones’ home used to be. It struggles to find a strong pace during the first few hours, as it leans a little too heavily on exposition, but its latter half builds to a climactic ending that lets gameplay and story compliment each other instead of detract.Īlthough you had a choice between two resolutions, Last Light picks up where the “bad” ending of 2033 left things: in a bid to save the remnants of the human race living in Russia’s post-apocalyptic subway tunnels, Artyom launched missiles against the Dark Ones –– the supernatural race that threatened their sanctum. It’s ripe with characterization, direction and effect, but it doesn’t sacrifice player agency in the process. Last Light is a paragon for video game narratives. With Last Light, 4A Games is steering away from the canon of the novel’s sequels, opting instead to create their own story. It’s considered a cult classic, driven forward by a narrative based on the book of the same name by Dmitry Glukhovsky. Last Light’s predecessor, Metro 2033, never garnered a huge following. Metro: Last Light is a milestone for developer 4A Games.
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